LUX VERITAS

Library of Sacred Texts

Apocrypha

Acts of Andrew and Matthias

Apocryphal Acts

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Reading note

An apocryphal or pseudepigraphal text — outside the canon of the Western churches, yet widely circulated among ancient Jews and Christians. English text: Ante-Nicene Fathers, vol. 8 (Buffalo: Christian Literature Publishing Co., 1886), Alexander Walker, 1886 (public domain). Portuguese and Spanish: Lux Veritas translations from this edition.

Source: Ante-Nicene Fathers, vol. 8 (Buffalo: Christian Literature Publishing Co., 1886), Alexander Walker (1886) · public domain

About this book: context, authorship and themes ↓

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Authorship, Date, and Context

The Acts of Andrew and Matthias is an anonymous Christian apocryphal romance composed originally in the Greek language. Nineteenth-century scholarship initially conjectured that the narrative was an excerpt of the primitive third-century Acts of Andrew; however, specialized textual investigations by scholars such as Joseph Flamion, Max Bonnet, and Montague Rhodes James demonstrated that it represents an independent composition belonging to the Egyptian apocryphal cycle of popular apostolic adventures, dating from the late fourth or early fifth century CE.

Set against the backdrop of the apostolic division of territories by lot following the Ascension, the plot details the mission assigned to Matthias in the city of the anthropophagi (Myrmidona). The narrative lacks specific dogmatic or heretical controversies, functioning as a popular edifying tale of wonder, divine deliverance, and the triumph of the Gospel over savage demonic paganism.

Structure

Preserved in manuscript traditions and critical editions as a single continuous work divided into thirty-three numbered chapters or paragraphs, the composition develops a cohesive dramatic arc.

The story proceeds across four sequential movements: the capture, blinding, and incarceration of Matthias by the cannibals, accompanied by a divine pledge of rescue after twenty-seven days (chapters 1 to 3); the miraculous sea journey of Andrew and his followers aboard a small boat piloted by Jesus in human guise alongside two angelic sailors (chapters 4 to 17); the infiltration of the prison, the emancipation of the captives, and the protracted torment of Andrew dragged through the city streets at Satan's instigation (chapters 18 to 28); and the divine inundation released through an alabaster column, terminating in the repentance and conversion of the city (chapters 29 to 33).

Themes and Key Passages

The theological hallmark of the work is the sovereign and ubiquitous protection of Jesus Christ over His emissaries, triumphing over demonic sorcery, cannibalism, and dehumanization. The story contrasts apostolic patience and forbearance with the barbaric ferocity of the pagans, highlighting the power of faithful intercession and communal transformation.

A notable passage appears in chapters 11 to 15 during the onboard dialogue between Andrew and the heavenly pilot, wherein Andrew relates how Jesus commanded a sculpted stone sphinx inside a pagan sanctuary to speak with human voice and travel to Mamre to summon Abraham, Isaac, and Jacob from their graves to refute the unbelief of the temple priests.

Summary by Parts

Matthias' Imprisonment in Myrmidona (chapters 1-3): The man-eaters gouge out the eyes of foreign travelers and administer mind-altering drugs to prepare them for slaughter within thirty days; the potion leaves Matthias' intellect uncorrupted, and Christ restores his sight in prison, instructing him to wait twenty-seven days for Andrew's arrival.

The Voyage with the Heavenly Pilot (chapters 4-17): Commanded in a vision to reach Myrmidona within three days, Andrew arrives at the shore and boards a skiff steered by Jesus disguised as a boatman with two angelic companions; Andrew praises the supernatural steering of the pilot and recounts Christ's wonders while his disciples fall into heavenly trances; landing upon the shore, Andrew perceives the divine identity of the steersman, and Jesus appears as a youth charging him to endure suffering.

Prison Deliverance and Andrew's Passion (chapters 18-28): Andrew enters the citadel invisibly, the prison warders drop dead upon his prayer, and the doors swing open at the sign of the cross; nearly three hundred captive men and women are cured and transported on a cloud to Mount Peter; frustrated in their search for food, the magistrates attempt to execute old men and children, but their blades turn to stone; incited by the devil, the inhabitants bind Andrew and drag him through the streets until his flesh is torn, causing fruitful trees to sprout wherever his blood touches the earth.

The Miracle of the Alabaster Pillar and Mass Baptism (chapters 29-33): Confined and wounded, Andrew directs an alabaster column to pour forth bitter corrosive floodwaters that trap the populace while an archangelic ring of fire encircles the walls; terror-stricken citizens plead for salvation and the ground swallows only the obstinate torturers; Andrew revives those drowned by the flood, outlines the foundations of a new church, baptizes the multitude, and provides seven days of pastoral instruction before continuing his apostolic itinerary.

Reception

The romance enjoyed widespread circulation in both Eastern Christendom and the medieval West, being translated into Coptic, Syriac, Arabic, Ethiopic, and Old Church Slavonic, and inspiring the celebrated Old English epic poem Andreas preserved in the tenth-century Vercelli Book. Early patristic stichometries and canonical catalogues routinely categorized the work among uncanonical apocryphal legends.

The Greek recension was critically edited by Constantin von Tischendorf and definitively by Max Bonnet in Acta Apostolorum Apocrypha (1898), forming the basis for Alexander Walker's English translation in the Ante-Nicene Christian Library (1886) and Montague Rhodes James' presentation in The Apocryphal New Testament (1924).

Sources

Dossier

Andrew is sent to rescue Matthias from the city of the cannibals, where prisoners are fattened and eaten — and he arrives in a boat piloted by Jesus in disguise.

Where this text comes from

Greek, of disputed date (from the second century, according to Lipsius, to much later dates). The story was popular enough to become an Old English epic poem, Andreas, written centuries later in England.

Why it is not in the Bible

Outside every canon.

Dating, manuscripts and reception

The narrative circulated in Latin, Greek, Syriac, Church Slavonic, Coptic, Ethiopic and Georgian, which shows how widely it was read. Gregory of Tours summarized a Latin version in the sixth century, together with the Acts of Andrew. For a long time the episode was believed to be a section of those Acts; more recent research treats it as an independent tradition, joined to them later in some regions.

The original language is uncertain, probably Koine Greek. So is the date: Lipsius proposed the second century in the nineteenth century, and other scholars prefer a much later one. Almost all agree on one point: the text is an adventure romance, with no historical value about the apostles' mission.

What you will find

  • The crossing, in which Jesus talks with Andrew without identifying himself and tests him.
  • The statue that pours out water and floods the city at Andrew's command.
  • The boy who serves as pilot and is later revealed.

Frequently asked questions

Did the city of the cannibals exist?
There is no historical basis. It is missionary adventure narrative, a common genre in the apocryphal acts, with an edifying rather than documentary purpose.

Sources

  • D. R. MacDonald, The Acts of Andrew and the Acts of Andrew and Matthias in the City of the Cannibals (Atlanta: Scholars Press, 1990).
  • M. R. James, The Apocryphal New Testament (Oxford: Clarendon Press, 1924).
  • R. A. Lipsius & M. Bonnet (eds.), Acta Apostolorum Apocrypha, 3 vols. (Leipzig: Mendelssohn, 1891–1903).

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