LUX VERITAS

Library of Sacred Texts

Apocrypha

Apocalypse of Peter

Vision of Hell

17 chapters · read and listen

Reading note

A detailed description of the judgement, with punishments matched to each sin. It appeared in ancient lists of accepted books before being left out. English text: The Apocryphal New Testament, Apocalypse of Peter (Oxford: Clarendon Press), M. R. James, 1924 (public domain). Portuguese and Spanish: Lux Veritas translations from this edition.

Source: The Apocryphal New Testament, Apocalypse of Peter (Oxford: Clarendon Press), M. R. James (1924) · public domain

About this book: context, authorship and themes ↓

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Authorship, Date, and Context

The Apocalypse of Peter is an early Christian apocryphal apocalypse composed in Greek and pseudepigraphically attributed to the Apostle Simon Peter. The narrative framework opens on the Mount of Olives, expanding upon Jesus' Olivet Discourse regarding the signs of the consummation of the age.

Modern critical scholars, prominent among whom is Richard Bauckham, assign its composition to circa 132-135 CE, identifying the persecuting false messiah in chapter two with Simon Bar Kokhba during the second Jewish revolt under Emperor Hadrian. Other authorities, including C. Detlef G. Müller, favor a broader window between 120 and 150 CE in Egypt or Syria-Palestine, reflecting an early Christian milieu defined by eschatological fervor and escalating tensions with imperial paganism and rabbinic Judaism.

Structure

The complete text preserved in classical Ge'ez comprises seventeen numbered chapters, whereas the fragmentary Greek witness discovered at Akhmim contains approximately half the text without ancient chapter breaks.

The treatise proceeds through four structural movements: the Olivet prophecy concerning the false Christ and the parable of the fig tree representing Israel (chapters 1-2); the bodily resurrection of all flesh, the cosmic conflagration, and the Parousia of the Son of Man preceded by the shining Cross (chapters 3-6); the extensive tour of Gehenna detailing specific penalties corresponding to sins (chapters 7-14); and the ascent to the aromatic realm of Paradise culminating in the Transfiguration and Christ's ascension with Moses and Elijah (chapters 15-17).

Themes and Key Passages

The work represents the seminal fountainhead of Christian visions of hell, formalizing the principle of lex talionis wherein anatomical instruments of sin suffer dedicated eternal torture. Essential themes include somatic bodily resurrection, strict ethical condemnation of abortion and usury, and the radiant paradise awaiting righteous martyrs.

Witnessing the severe punishments decreed against malefactors in the pit, the souls of the slain proclaim in section twenty-four of the Akhmim text: "O God, your judgment is just."

Summary by Parts

Eschatological Prophecy and the Fig Tree (chapters 1-2): Gathered upon the Mount of Olives, Christ warns the twelve against deceivers. He interprets the budding fig tree as the house of Israel, predicting the rise of a false Christ who will slaughter those who refuse his claims, prior to the arrival of Enoch and Elijah.

Cosmic Fire and Universal Resurrection (chapters 3-6): Upon God's decree, earth and marine beasts disgorge every particle of devoured human flesh so that the archangel Uriel may reconstruct limbs, nerves, and spirits. Cataracts of unquenchable fire consume the firmaments, after which Christ appears enthroned upon bright clouds with his radiant Cross.

The Torments of the Damned (chapters 7-14): Peter views specialized retributive punishments in Tartarus: blasphemers suspended by their tongues over blazing coals; adulterers hanging by feet and hair in boiling mire; murderers tormented by flesh-eating serpents; women guilty of infanticide and abortion submerged in gore while lightning flashes from their exposed babes to blind them; and usurers standing knee-deep in boiling filth.

The Landscape of Paradise and Ascension (chapters 15-17): Guided outside the world, Peter contemplates the Elysian paradise inhabited by the righteous, whose dazzling forms are whiter than snow and ruddier than roses amid unfading blossoms. The vision culminates in the Transfiguration, where the divine voice confirms the beloved Son before Jesus ascends into heaven alongside Moses and Elijah.

Reception

The Apocalypse of Peter occupied a contested, near-canonical status during the 2nd and 3rd centuries. The Muratorian Fragment in Rome (c. 170-200 CE) acknowledged it alongside John's Apocalypse, noting that some dissenters barred its public reading. Clement of Alexandria accepted it as Scripture in his Hypotyposes, and the 5th-century historian Sozomen recorded that it was still recited annually on Good Friday in certain Palestinian churches.

Eusebius of Caesarea categorized it among the disputed or spurious writings (notha) in his Ecclesiastical History (III.25). The Greek text was dramatically recovered in 1886-1887 in a Christian tomb at Akhmim, Egypt (edited by U. Bouriant and A. von Harnack), while Sylvain Grébaut discovered and published the complete 17-chapter Ethiopic text in 1910, subsequently translated and analyzed by M. R. James in 1924.

Sources

Dossier

The first detailed Christian description of heaven and hell — with a catalogue of punishments in which each torment mirrors exactly the sin that caused it.

Where this text comes from

2nd century AD, in Greek. It survives in two forms: a Greek fragment found at Akhmim alongside the Gospel of Peter, and a fuller Ethiopic version found later. The two diverge on important details.

Why it is not in the Bible

It was genuinely in contention. The Muratorian Fragment lists it among the accepted books, noting that some would not allow it to be read in church — meaning that in the 2nd century it was a real candidate for the New Testament. It fell away as Petrine authorship came into doubt.

What you will find

  • Blasphemers hung by the tongue, murderers in a place full of reptiles, slanderers hung by the hair: the law of retaliation applied to the afterlife.
  • It is the source of all later vision-of-hell literature, including the tradition that reaches Dante.
  • Paradise is described with colours, scents and fruit, in deliberate counterpoint to the punishments.
  • In the Ethiopic version there is a moment when the saved ask mercy for the damned — and an answer is given.

Frequently asked questions

Did the Apocalypse of Peter nearly make it into the New Testament?
Yes. The 2nd-century Muratorian Fragment includes it among the received books, recording that part of the community refused to read it in church. It was gradually dropped in the centuries that followed.
How is it different from the Book of Revelation?
They are separate books. Revelation is the last book of the Bible. The Apocalypse of Peter is apocryphal and deals almost entirely with the fate of souls after death.

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